WHAT THE WATER REMEMBERS — 2025–26

PROJECT TYPE TO CONFIRM

What the Water Remembers

What the Water Remembers

Project introduction

A site responsive visual research project exploring how water, language and landscape can carry traces of memory, labour and overlooked histories.

ROLE

Artist / Visual Designer

YEAR

2025 - 2026

Canal & River Trust
NearFuture
Heritage Futures

LOCATION

Wrexham, Wales

CONTEXT

Canal & River Trust
NearFuture Heritage Futures

MEDIUM

Photography, Typography ,Writing, Visual research

01 CONTEXT

A landscape carrying memory

The project began through a Canal & River Trust practice development programme around the Pontcysyllte Aqueduct and Canal World Heritage Site.

Moving through the landscape, I became interested not only in what could be seen, but in what remained less visible: labour, movement, memory and the lives that had passed through the canal.

The landscape held evidence.
The water seemed to carry something else.

02 RESEARCH

I kept returning to the water.

Buildings, bridges and machinery appeared to hold history in solid form. Water behaved differently. It reflected, distorted and carried everything through the site while retaining nothing permanently.

That contradiction became the starting point for the work.

03 / CONCEPT

What if water could remember?

What if water could remember?

Not as an archive.
As fragments.

04 / LANGUAGE

Finding a voice

Writing, fragments and erased out histories became visual material. I began treating language less as something to read and more as something that could drift, disappear and return.

NOTEBOOK / BLACKOUT POETRY

carried forgotten returned beneath remembered

PRINTED TESTS / EARLY LAYOUTS

DEVELOPMENT — PROCESS IMAGE

05 / DEVELOPMENT

How the work developed

Photographing the site, extracting language, testing reflection and translating the idea into form.

06 / MATERIAL

Testing surface, light and reflection

Print, transparency and mirrored type were tested as physical ways of letting language shift with the viewer and the water.

07 / THE WORK

The work

The final work brings photography and language together through reflection, distortion and installation.

08 / IN SITU — INSTALLATION VIEW

09 / REFLECTION

What the work revealed

The project shifted my practice from documenting a place toward building a visual language for what cannot be held in a conventional record. Water became both subject and method: reflective, unstable and capable of carrying many histories at once.

Credits

Canal & River Trust × Coventry University · NearFuture / WHS Practice Development · Wrexham, Wales · 2025–26